B'z's Tak Matsumoto joins EXILE for new '24karats' track, the first in 10 years and 7 months
The song "24karats GOLD LEGACY feat. Tak Matsumoto," a collaboration between EXILE and B'z guitarist Tak Matsumoto (Tak Matsumoto), will be digitally released on March 30.
"24karats GOLD LEGACY feat. Tak Matsumoto" is the fifth installment in the "24karats" series, which since 2007 has expressed EXILE's unwavering determination "to continue being an entity with unadulterated, genuine brilliance (24 karats = pure gold)." The song was created for EXILE's agency LDH's once-every-six-years festival, "LDH PERFECT YEAR 2026," and EXILE's 25th debut anniversary.
This is EXILE's first release in the "24karats" series in approximately 10 years and 7 months, since "24karats GOLD SOUL" was released in 2015. This time, while inheriting the legacy (heritage, value) they have built, the group sought a musical expression that only the current EXILE, having marked their 24th anniversary, could create. In this process, the sound idea of combining hip-hop with a rock feel from guitar sounds was born, and Matsumoto responded to the members' passionate enthusiasm, leading to this collaboration taking shape.
EXILE ATSUSHI, who participated in the lyric writing, commented on the song: "With the desire to get everyone excited, every song since the 2007 work has had the phrase 'hands up' at the end. This time, too, we were able to carry on that spirit by adding a little twist in the studio, and I'm really looking forward to everyone feeling our history and strong emotions and enjoying the song." Matsumoto added his thoughts, stating, "Some people might find this surprising, but it's actually quite a good match. Please enjoy this danceable and rock-infused EXILE!"
EXILE also announced that they will release a greatest hits album, "24karats GOLDEN BEST," on May 20, which will include "24karats GOLD LEGACY feat. Tak Matsumoto."
Comment from Tak Matsumoto (B'z)
I had the opportunity to play guitar on EXILE's new song, "24karats GOLD LEGACY."
With EXILE celebrating their momentous 25th anniversary in September, I am truly honored to have been able to participate at such a major milestone. I recorded it with my own approach; it was a lot of fun, and I'm very satisfied with the result.
(Some people might find this surprising, but it's actually quite a good match.)
Please enjoy this danceable and rock-infused EXILE!
Comment from EXILE ATSUSHI
Regarding the creation of the new song
This time again, we invited STY, the producer who has worked on all the past "24karats" series, to create it with us.
Whenever I'm in the studio with him, a strange chemical reaction seems to occur. Without any hesitation, if I suggest, "How about something like this??" he'll reply, "Let's try it!!" and I've experienced countless moments where it just clicks perfectly in a mysterious way.
Conversely, when I try out his suggestions, I always feel that same sense of a strange chemical reaction.
With the desire to get everyone excited, every song since the 2007 work has had the phrase "hands up" at the end. This time, too, we were able to carry on that spirit by adding a little twist in the studio, and I'm really looking forward to everyone feeling our history and strong emotions and enjoying the song.
Regarding the "24karats" series
When the first song came out in 2007, I never thought it would become such a series.
But I think this is a culture that would never have been born if I were working solo. It's a culture that emerged from the context of our company having an apparel brand and having our friends around us.
Expressing street-culture-like J-POP as EXILE. I believe this culture has continued because various elements like hip-hop dance and rock influences are combined within it. With each new work, I feel that more and more different elements are layered on top.
It's been a while since we've had such an intense song, and it's been about 10 years and 7 months for "24karats" as well. It makes you realize how time flies, but being able to express this side of EXILE again—perhaps age has something to do with it—I feel very grateful, and it's also moving to know that we were able to create a song like this again.
Regarding the collaboration with Tak Matsumoto
Mr. Matsumoto is a true legend, and someone I've been listening to since I was in elementary school, so it felt surreal to hear his guitar sound on a track with my own voice. I thought, "So the time comes when destinies align like this."
Mr. Matsumoto is a great senior, and while we've also had many experiences over 25 years, I see him as someone who has continued with B'z for another 10, 20 years beyond that, overcoming all sorts of things. He didn't say much; he had the air of a true craftsman.
More than the intensity of the guitar, I felt a sense of the years of experience he's accumulated, emerging from a place of quietness. I think that's something only a person who has dedicated their life to music can produce.
Seeing Mr. Matsumoto, I felt that true brilliance isn't something you can create with superficial performance. I feel like he showed us what true, accumulated strength looks like.
Comment from EXILE AKIRA
Regarding the "24karats" series / The new song
In our 25 years of activity, I believe this is one of the things that symbolizes the style you could call "This is EXILE." Even as we've aged and our expressions have changed, the fundamental energy and pride have not changed at all. I was so happy to feel that.
When we made the first "24karats" in 2007, the theme was to present our style straightforwardly, like unadulterated pure gold = 24 karats. After more than 20 years of history, I think those words have more reality to them now. It's precisely because we've experienced various eras that we can still express a style that only we can. That's something to be truly proud of, and I think it's exactly "This is EXILE."
"24karats" is also a special presence at our live shows. During the encore, the audience knows it's "definitely coming" and gets hyped up as we count up to "24." EXILE has various songs like ballads and up-tempo tracks, but I believe "24karats" is a song that allows us to express our street origins. We ourselves are members who came up from the street and indie scenes, so it's a song packed with that way of life and our roots.
Regarding the collaboration with Tak Matsumoto
This time, above all, having the world-renowned Tak Matsumoto participate in our new song "24karats GOLD LEGACY" was truly huge.
When the song was finished and I listened to it on headphones, I had a feeling I hadn't had in a long time—goosebumps from the tips of my hair to my toes. It had a strong impact, like energy welling up from deep inside my body.
I've been active as a performer in EXILE for over 20 years, and I believe that guitar sounds, in particular, are a crucial element that draws out energy during a performance. Everyone has their preferences, like drums, beats, or bass, but I've always loved the sound of the guitar, and I grew up listening to band music in my youth.
Among them, the music and energy that Mr. Matsumoto has created are things I've been hearing since I was a boy. To have that sound become part of our own song is truly a profound experience.
Trends and fads are important, of course, but we have pursued timeless entertainment and music that won't fade. In that context, having Mr. Matsumoto participate in "24karats GOLD LEGACY"—a work that comes at a milestone and turning point for us—has given us immense strength. I have nothing but gratitude.
Comment from EXILE TAKAHIRO
Regarding the "24karats" series / The new song
The "24karats" series has grown over the years along with the history of LDH and EXILE, and with many memories. I had the chance to sing for the "24karats" series again after a long time, and being able to deliver it with a powered-up rock sound makes me think everyone will be able to feel the full essence of EXILE. I'm happy that the series has continued this long, and everyone from HIRO and the rest of LDH to our inner circle is looking forward to it.
Regarding the collaboration with Tak Matsumoto
Above all, the fact that we get to work with Mr. Matsumoto of B'z this time makes me feel, "Wow, such a special and wonderful opportunity has come our way at this stage." I feel like it might be a reward for continuing all these years, and I'm so happy that he accepted the offer so willingly. To have Mr. Matsumoto's unique sound resonate throughout our "24karats" series... for me, he is one of the great artists I respect, someone whose music I've been exposed to everywhere—on TV, around town, in commercials—since before I can even remember, so this has become a treasure in my life. Since this song extends the legacy of a historic series, I definitely want to deliver it in a powered-up form!
Source: Music Natalie
*This content has been translated from Japanese into English using machine translation. We apologize for any mistakes in the current version, and will update accordingly.